This presentation will focus on how art collections can, and often do, reflect family and family enterprise trauma and subsequent collecting.

Storytelling in the family enterprise takes many forms, and the narratives are not always consistent, often shaped by the medium through which they are conveyed. This panel examines approaches drawn from literature, visual art, and theater, exploring how these forms illuminate the complexities of family enterprise while frequently blurring the boundaries between fact and fiction.

This is the panel will focus primarily on generational perspectives since family and family enterprise narratives are often quite different from one generation to the next.